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La Traviata in Dresden: Emily Pogorelc is one to watch

La Traviata in Dresden: Emily Pogorelc is one to watch

This was a bizarre interpretation of Verdi’s masterpiece but American soprano Emily Pogorelc nailed the role of Violetta. Curtains for Violetta. In the final scene of Semperoper Dresden’s La Traviata, Violetta, Verdi’s tragic heroine, was to die alone. As...

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Die Frau ohne Schatten – Metropolitan Opera New York

Die Frau ohne Schatten – Metropolitan Opera New York

If the squeals of little fish flying through the air, then sizzling in a frying pan – unborn children of the watching potential mother who refuses to bear them – seem an absurdist operatic turn-off, bear with me. Don’t tune out. Just yet. Fish are just one of many...

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Theodora at Teatro Real: Joyce DiDonato went down a bomb

Theodora at Teatro Real: Joyce DiDonato went down a bomb

DiDonato’s voice is like listening to silver leaves falling gently into a stream. Joyce DiDonato went down a bomb in Teatro Real Madrid’s Theodora. Actually, she made a bomb. Brown Semtex sticks, wirey colour-coded connector things, gaffer tape, handled with...

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Rich Romanian opera heritage should be more widely shared

Rich Romanian opera heritage should be more widely shared

Bucharest has a strong operatic gene pool. But it could do so much better if it forged closer links with other European opera houses. Two soldiers stood impassive guard outside Bucharest Opera House in the evening dusk. Could have been extras left over from last...

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Grounded at the Met: Tesori’s score is wonderful

Grounded at the Met: Tesori’s score is wonderful

The Met orchestra struck up The Star-Spangled Banner. It is a venerated tradition to sing the American national anthem – adopted in the US as recently as 1931 – at the opening of the Met season. The Lincoln Center’s 3,800 capacity crowd rose as one and sang...

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