Anna Bolena: Fridman is a mistress of the bel canto art form

Anna Bolena: Fridman is a mistress of the bel canto art form

Gaetano Donizetti’s first big hit opera is back at La Fenice in Venice, after an absence of 157 years. A spotlight focused on Anna Bolena’s retreating back as she walked in passive dignity towards her executioner. Then, slowly narrowed until only the rear of the...

read more
La Traviata in Dresden: Emily Pogorelc is one to watch

La Traviata in Dresden: Emily Pogorelc is one to watch

This was a bizarre interpretation of Verdi’s masterpiece but American soprano Emily Pogorelc nailed the role of Violetta. Curtains for Violetta. In the final scene of Semperoper Dresden’s La Traviata, Violetta, Verdi’s tragic heroine, was to die alone. As...

read more
Die Frau ohne Schatten – Metropolitan Opera New York

Die Frau ohne Schatten – Metropolitan Opera New York

If the squeals of little fish flying through the air, then sizzling in a frying pan – unborn children of the watching potential mother who refuses to bear them – seem an absurdist operatic turn-off, bear with me. Don’t tune out. Just yet. Fish are just one of many...

read more
Theodora at Teatro Real: Joyce DiDonato went down a bomb

Theodora at Teatro Real: Joyce DiDonato went down a bomb

DiDonato’s voice is like listening to silver leaves falling gently into a stream. Joyce DiDonato went down a bomb in Teatro Real Madrid’s Theodora. Actually, she made a bomb. Brown Semtex sticks, wirey colour-coded connector things, gaffer tape, handled with...

read more
Rich Romanian opera heritage should be more widely shared

Rich Romanian opera heritage should be more widely shared

Bucharest has a strong operatic gene pool. But it could do so much better if it forged closer links with other European opera houses. Two soldiers stood impassive guard outside Bucharest Opera House in the evening dusk. Could have been extras left over from last...

read more
Grounded at the Met: Tesori’s score is wonderful

Grounded at the Met: Tesori’s score is wonderful

The Met orchestra struck up The Star-Spangled Banner. It is a venerated tradition to sing the American national anthem – adopted in the US as recently as 1931 – at the opening of the Met season. The Lincoln Center’s 3,800 capacity crowd rose as one and sang...

read more

The Rest is Opera:

Making opera fun for those of us who ain’t aficianados!

Catapults in New York

Neal Goren’s small opera company always has something original to say. Last year it was the premiere of a Nadia Boulanger opera, La Ville Morte, in Athens and New York! Ambitious, moi? The master saw both of them! In June look out for San Giovanni Battista by the...

read more

New School – Regent’s Opera

An exciting, newly minted, Ring Cycle from the ever-ambitious Regents Opera. The small opera company that could. Two complete Ring Cycles from February 9th – March 2nd. Carefully crafted orchestration will ring out in York Hall, Bethnal Green. Normally the province of...

read more

Old School – Otto Schenk

Otto Schenk, who has died aged 94, was an Austrian actor and theatre director from another era. Lavishly traditional, he was known for his attention to detailed staging notes on the score. Where Wagner wrote ‘here be dragons’ dragons is what Schenk delivered, notably...

read more

Glimmerglass Gone!

The Master is in mourning. His outing to the Glimmerglass opera festival in upstate New York in August has been scrubbed. One of his favourite calendar items, the festival is a showcase for up and coming artists and cutting-edge productions. He was particularly...

read more

Met 20/21 Season in Doubt

“Perhaps by some miraculous situation we can return in the Fall.” What? Not an optimistic assessment from Peter Gelb, General Manager of the Metropolitan Opera. At the Met’s online streaming Gala, as recently as 25th April, Gelb was upbeat about “meeting in...

read more

Flamboyant Rebel R.I.P.

Sir Peter Jonas, Director of English National Opera from 1985 – 1993 and Bayerische Staatsoper, Munich 1993 – 2006 has died. He was wild on and off stage. His productions of Wagner rendered traditionalists incandescent. He kept a “stink box” of poison pen letters from...

read more

Parsifal – Wagner’s most religious work

Sir Peter Jonas, Director of English National Opera from 1985 – 1993 and Bayerische Staatsoper, Munich 1993 – 2006 has died. He was wild on and off stage. His productions of Wagner rendered traditionalists incandescent. He kept a “stink box” of poison pen letters from...

read more

The Master is in mourning

Now 41 admin staff have been placed on furlough and may be paid off, the chorus and orchestra are in deep freeze and booked artists are champing at the bit. The Met’s already dodgy finances are now in tatters. Will the hocked Chagalls in the Met lobby be called in?...

read more