Image: Courtesy of Santa Fe Opera On the face of it, Tobias Picker’s opera Lili Elbe, premiering at this years Santa Fe Opera Festival should have been a wow! All the stars seemed aligned. Heady cocktail of powerful base spirit plot, a transexual baritone as modifier,...
Festen: a dysfunctional family opera that offers no closure
Composer Mark-Anthony Turnage has a bad-boy reputation because he tells the story warts and all. Festen. Celebration. Bad boy composer Mark-Anthony Turnage and librettist Lee Hall invite you to Denmark, to a party to celebrate Helge Klingefeldt’s...
La véstale in Paris: nail-biting, seat-gripping, jaw-dropping drama
Even with director Lydia Steier mangling Spontini’s ending, this is Paris Opera at its best. When the grisly corpses of Roman hero general, Licinius, and his main squeeze, vestal virgin (virgin in a euphemistic sense) heroine, Julia, emerged bloodied, suspended and...
Puccini’s favourite opera in Bologna: Minnie was the star of the evening
Italian soprano, Carmen Giannattasio, embodied Minnie’s swaggering authority. When the first chords of Puccini’s opera set in the Californian gold rush – La fanciulla del West – rang out in Bologna you could be forgiven for thinking you had turned up at a...
La Traviata in Dresden: Emily Pogorelc is one to watch
This was a bizarre interpretation of Verdi’s masterpiece but American soprano Emily Pogorelc nailed the role of Violetta. Curtains for Violetta. In the final scene of Semperoper Dresden’s La Traviata, Violetta, Verdi’s tragic heroine, was to die alone. As...
Die Frau ohne Schatten – Metropolitan Opera New York
If the squeals of little fish flying through the air, then sizzling in a frying pan – unborn children of the watching potential mother who refuses to bear them – seem an absurdist operatic turn-off, bear with me. Don’t tune out. Just yet. Fish are just one of many...
Theodora at Teatro Real: Joyce DiDonato went down a bomb
DiDonato’s voice is like listening to silver leaves falling gently into a stream. Joyce DiDonato went down a bomb in Teatro Real Madrid’s Theodora. Actually, she made a bomb. Brown Semtex sticks, wirey colour-coded connector things, gaffer tape, handled with...
Street Scene: Frost Opera Orchestra delivered the power and punch Weill intended
Kurt Weill’s timeless 1947 opera was a smart choice for a music school production. Frost in Florida? After hurricanes, folk in Miami seemed battened down for anything. But scrub global warming oxymoronic headlines – ‘Global Warming Brings Big Freeze to Sunbelt State’...
Schnittke’s Life with an Idiot: a tragic and powerful parody of Russian political life
Written during Brezhnev’s “Great Stagnation”, the work is heavily charged with dissident political satire. Great place Zürich. In the Opernhaus bar, before Alfred Schnittke’s rarely performed (that’s a bit of an understatement! - Ed.) opera, Life with an...
Lucidity is a frank exploration of the power of music on memory
On Site Opera's production of Lucidity is proof that the opera medium can tell a story of common experience in a more impactful way than any other. Lucidity. Clearly going to be different. Dave Eggar, cellist in the five-piece American Modern Ensemble orchestra wore a...
Rich Romanian opera heritage should be more widely shared
Bucharest has a strong operatic gene pool. But it could do so much better if it forged closer links with other European opera houses. Two soldiers stood impassive guard outside Bucharest Opera House in the evening dusk. Could have been extras left over from last...
The Rest is Opera:
Making opera fun for those of us who ain’t aficianados!
Catapults in New York
Neal Goren’s small opera company always has something original to say. Last year it was the premiere of a Nadia Boulanger opera, La Ville Morte, in Athens and New York! Ambitious, moi? The master saw both of them! In June look out for San Giovanni Battista by the...
New School – Regent’s Opera
An exciting, newly minted, Ring Cycle from the ever-ambitious Regents Opera. The small opera company that could. Two complete Ring Cycles from February 9th – March 2nd. Carefully crafted orchestration will ring out in York Hall, Bethnal Green. Normally the province of...
Old School – Otto Schenk
Otto Schenk, who has died aged 94, was an Austrian actor and theatre director from another era. Lavishly traditional, he was known for his attention to detailed staging notes on the score. Where Wagner wrote ‘here be dragons’ dragons is what Schenk delivered, notably...
Glimmerglass Gone!
The Master is in mourning. His outing to the Glimmerglass opera festival in upstate New York in August has been scrubbed. One of his favourite calendar items, the festival is a showcase for up and coming artists and cutting-edge productions. He was particularly...
Met 20/21 Season in Doubt
“Perhaps by some miraculous situation we can return in the Fall.” What? Not an optimistic assessment from Peter Gelb, General Manager of the Metropolitan Opera. At the Met’s online streaming Gala, as recently as 25th April, Gelb was upbeat about “meeting in...
Flamboyant Rebel R.I.P.
Sir Peter Jonas, Director of English National Opera from 1985 – 1993 and Bayerische Staatsoper, Munich 1993 – 2006 has died. He was wild on and off stage. His productions of Wagner rendered traditionalists incandescent. He kept a “stink box” of poison pen letters from...
Parsifal – Wagner’s most religious work
Sir Peter Jonas, Director of English National Opera from 1985 – 1993 and Bayerische Staatsoper, Munich 1993 – 2006 has died. He was wild on and off stage. His productions of Wagner rendered traditionalists incandescent. He kept a “stink box” of poison pen letters from...
The Master is in mourning
Now 41 admin staff have been placed on furlough and may be paid off, the chorus and orchestra are in deep freeze and booked artists are champing at the bit. The Met’s already dodgy finances are now in tatters. Will the hocked Chagalls in the Met lobby be called in?...












