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Handel’s Orlando plucks every emotion

Handel’s Orlando plucks every emotion

Fifty years ago, Christopher Hogwood grafted a new shoot to the tree of British classical music. His brainchild, the Academy of Ancient Music, was to champion the performance of Baroque music on contemporary instruments, providing listeners with a better understanding...

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Handel-surreal on steroids in Halle

Handel-surreal on steroids in Halle

All out Handel cyber-attack in Halle, Germany. Hang on! Cyber? Baroque, surely, at this 8th-century city’s annual Handelfest. You know, the towering headdresses, spangled costumes, descending Gods in fiery chariots, courtly dances, lots of standing about singing at...

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Handel shines at Glimmerglass

Handel shines at Glimmerglass

Baroque opera, based as it usually is on improbable ancient myths and legends, nearly always benefits from a fresh eye from a bold director. If today’s audiences are to understand what the hell is going on, a quirky take will grab attention. Louisa Proske, Resident...

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Puccini…from Berlin to Washington DC

Puccini…from Berlin to Washington DC

I had to respond to Reaction’s imperious demand; the motto is “Nessun Dorma” (no one sleeps). Berlin, Sunday, 12 May 15:00 CET: Unter den Linden. Event? Opera Meets New Media, an exhibition in the stunning Bertelsmann building illustrating...

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Gothic horror par excellence in Covent Garden

Gothic horror par excellence in Covent Garden

In Gaetano Donizetti’s Lucia di Lammermoor, Enrico Ashton gaslights his sister, Lucia, into believing her lover, Edgardo, penniless and a sworn political enemy, has abandoned her.  Successfully gaslit, Enrico manipulates Lucia into marrying the rich...

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El Niño at the Met lacks the seriousness it deserves

El Niño at the Met lacks the seriousness it deserves

John Adams, one of America’s most celebrated living composers, conceived his oratorio/opera, El Niño, as a highly personal work. His way – he is not religious – of seeking to understand what is meant by a miracle.  It is to Adams’s credit that his...

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This was a benchmark Madama Butterfly for our times

This was a benchmark Madama Butterfly for our times

Nailed it! Well, maybe not. Pinned it! Floris Visser, mould-breaking opera director, caused a 10ft gigantic silver pin to lower slowly from the flies at an angle of 45° at the end of Act I of Puccini’s Madama Butterfly in Copenhagen’s cutting-edge...

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