If the squeals of little fish flying through the air, then sizzling in a frying pan – unborn children of the watching potential mother who refuses to bear them – seem an absurdist operatic turn-off, bear with me. Don’t tune out. Just yet. Fish are just one of many...
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Theodora at Teatro Real: Joyce DiDonato went down a bomb
DiDonato’s voice is like listening to silver leaves falling gently into a stream. Joyce DiDonato went down a bomb in Teatro Real Madrid’s Theodora. Actually, she made a bomb. Brown Semtex sticks, wirey colour-coded connector things, gaffer tape, handled with...
Street Scene: Frost Opera Orchestra delivered the power and punch Weill intended
Kurt Weill’s timeless 1947 opera was a smart choice for a music school production. Frost in Florida? After hurricanes, folk in Miami seemed battened down for anything. But scrub global warming oxymoronic headlines – ‘Global Warming Brings Big Freeze to Sunbelt State’...
Schnittke’s Life with an Idiot: a tragic and powerful parody of Russian political life
Written during Brezhnev’s “Great Stagnation”, the work is heavily charged with dissident political satire. Great place Zürich. In the Opernhaus bar, before Alfred Schnittke’s rarely performed (that’s a bit of an understatement! - Ed.) opera, Life with an...
Lucidity is a frank exploration of the power of music on memory
On Site Opera's production of Lucidity is proof that the opera medium can tell a story of common experience in a more impactful way than any other. Lucidity. Clearly going to be different. Dave Eggar, cellist in the five-piece American Modern Ensemble orchestra wore a...
Rich Romanian opera heritage should be more widely shared
Bucharest has a strong operatic gene pool. But it could do so much better if it forged closer links with other European opera houses. Two soldiers stood impassive guard outside Bucharest Opera House in the evening dusk. Could have been extras left over from last...
This year, Wexford Festival Opera gave us theatre within theatre within theatre
The festival offers a complete experience for nerds and first timers alike. As Pagliacci took his curtain call at the end of Ruggero Leoncavallo’s corpse-strewn masterpiece, his mum, immediately in front of me, plonk centre Row C in Wexford’s National Opera...
Ainadamar: a nuclear blitz on the senses and a proud moment for Scottish Opera
Scottish Opera flew into Manhattan to mark the opening night of their co-production with New York’s Met of Argentinian composer, Osvaldo Golijov’s opera, Ainadamar. A proud moment for Scot Op. A co-pro with the Met is a resounding endorsement of the...
Grounded at the Met: Tesori’s score is wonderful
The Met orchestra struck up The Star-Spangled Banner. It is a venerated tradition to sing the American national anthem – adopted in the US as recently as 1931 – at the opening of the Met season. The Lincoln Center’s 3,800 capacity crowd rose as one and sang...
La Calisto: Cavalli’s baroque opera is stuffed with influencer antics
Jove went rogue. He had been trolling the glam nymph Calisto, one of goddess Diana’s followers, below. On earth. Enraptured by her pouting Instagram selfies. Failing miserably. Not even an encouraging emoji for his troubles. Her vow of chastity held out. No first-time...
Elizabeth Cree at Glimmerglass: a gruesome addition to the operatic canon
“Here we are again!”. The catchline of 19th century English music hall star, comedian, drag artist and singer Dan Leno, given a leading role in Kevin Puts’ opera, Elizabeth Cree, about The Limehouse Golem. Cheery subject for an upstate New York...
English fairyland brought to you by Britten at Garsington Opera
Nowhere transforms the English countryside into fairyland better than Garsington Opera stage. No opera is more atmospheric than Benjamin Britten’s A Midsummer Night’s Dream. In dampish Oxfordshire Wormsley estate the planets were aligned, all set fair,...