Jove went rogue. He had been trolling the glam nymph Calisto, one of goddess Diana’s followers, below. On earth. Enraptured by her pouting Instagram selfies. Failing miserably. Not even an encouraging emoji for his troubles. Her vow of chastity held out. No first-time...
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Elizabeth Cree at Glimmerglass: a gruesome addition to the operatic canon
“Here we are again!”. The catchline of 19th century English music hall star, comedian, drag artist and singer Dan Leno, given a leading role in Kevin Puts’ opera, Elizabeth Cree, about The Limehouse Golem. Cheery subject for an upstate New York...
English fairyland brought to you by Britten at Garsington Opera
Nowhere transforms the English countryside into fairyland better than Garsington Opera stage. No opera is more atmospheric than Benjamin Britten’s A Midsummer Night’s Dream. In dampish Oxfordshire Wormsley estate the planets were aligned, all set fair,...
Handel’s Orlando plucks every emotion
Fifty years ago, Christopher Hogwood grafted a new shoot to the tree of British classical music. His brainchild, the Academy of Ancient Music, was to champion the performance of Baroque music on contemporary instruments, providing listeners with a better understanding...
Bad-boy satirist Hanoch Levin is quite possibly Israel’s greatest playwright
As BA cabin arrival announcements go, on landing at Larnaca in Cyprus, this was a doozy. “For those of you who have turned on your mobile phones and hit the ‘Maps’ button, we are not in Beirut”. Of course, I immediately disabled flight mode and fingered my iPhone...
Handel-surreal on steroids in Halle
All out Handel cyber-attack in Halle, Germany. Hang on! Cyber? Baroque, surely, at this 8th-century city’s annual Handelfest. You know, the towering headdresses, spangled costumes, descending Gods in fiery chariots, courtly dances, lots of standing about singing at...
Handel shines at Glimmerglass
Baroque opera, based as it usually is on improbable ancient myths and legends, nearly always benefits from a fresh eye from a bold director. If today’s audiences are to understand what the hell is going on, a quirky take will grab attention. Louisa Proske, Resident...
Puccini…from Berlin to Washington DC
I had to respond to Reaction’s imperious demand; the motto is “Nessun Dorma” (no one sleeps). Berlin, Sunday, 12 May 15:00 CET: Unter den Linden. Event? Opera Meets New Media, an exhibition in the stunning Bertelsmann building illustrating...
Gothic horror par excellence in Covent Garden
In Gaetano Donizetti’s Lucia di Lammermoor, Enrico Ashton gaslights his sister, Lucia, into believing her lover, Edgardo, penniless and a sworn political enemy, has abandoned her. Successfully gaslit, Enrico manipulates Lucia into marrying the rich...
Fire Shut Up in My Bones: jazz musician Blanchard has the opera gene too
“A boy of peculiar grace”. Experience Jazz musician, Terence Blanchard’s opera, Fire Shut Up in My Bones, for the first time and that phrase will live with you forever. In five simple words and a few bars of haunting, lyrical, music, Blanchard and his librettist,...
El Niño at the Met lacks the seriousness it deserves
John Adams, one of America’s most celebrated living composers, conceived his oratorio/opera, El Niño, as a highly personal work. His way – he is not religious – of seeking to understand what is meant by a miracle. It is to Adams’s credit that his...
This was a benchmark Madama Butterfly for our times
Nailed it! Well, maybe not. Pinned it! Floris Visser, mould-breaking opera director, caused a 10ft gigantic silver pin to lower slowly from the flies at an angle of 45° at the end of Act I of Puccini’s Madama Butterfly in Copenhagen’s cutting-edge...