“And we descended into Hell”. That is where Mieczyslaw Weinberg’s holocaust opera, The Passenger, takes all who see it. The hell of Auschwitz. Last Sunday’s performance at Teatro Real, Madrid, coincided with the beginning of Holy Week. Palm Sunday....
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Joyce DiDonato as Dido in Madrid is imperious
Yon Dido gets about a bit. 2,750 years ago, hers was a simple one-way journey, a boat trip from Tyre – Lebanon – to Carthage – Tunisia. Come 2024, the fearless queen is totting up the air miles, touring Europe and plonking down a massive carbon footprint. Luxemburg on...
Opéra de Monte-Carlo has mauled Handel’s masterpiece
I bought my first Cecilia Bartoli CD in 1988. It was Rossini’s La scala di seta – The silken ladder. The Italian coloratura mezzo-soprano, coming star of stage, disc and cassette, went on, deservedly, to become a legend of the 90’s. Her voice...
Nadia Boulanger: music’s greatest teacher
On Friday 19 January, the talent of Nadia Boulanger, acknowledged as the most influential teacher of classical music in the 20th century, was affirmed. As a composer. At the Stavros Niarchos Foundation Cultural Centre in Athens the premiere of an...
Bad night at the opera as Met puts on disastrous Carmen
Carmen via The Metropolitan Opera It was a bad night at the office for Polish tenor, Piotr Beczala. On 5 January 2024, a date that will live in opera infamy, singing the role of Don José in Bizet’s Carmen at New York’s Met, the talented tenor’s voice...
Handel’s Agrippina at the Met – an unforgettable performance
Joyce DiDonato IS Agrippina. The American mezzo soprano bores full beam at the audience, hurtling down the tunnel of an obsession to have her cokehead son, Nerone, installed as Emperor of Rome. From the moment she sashays onstage in a sassy, figure-hugging cocktail...
Monir Elweseimy’s The Sea Treasures at Muscat Royal Opera House
The first Arab opera written by an Arab composer, Tar El Bahr, The Sea Treasures, by Egyptian, Monir Elweseimy, will not yet be on any reader’s list of favourites. How could it be? It premiered only last week, at The Royal Opera House, Muscat, Oman, to much...
Donizetti’s Maria Stuarda at Lisbon’s National Theatre of São Carlos
The focal point of Maria Stuarda, Gaetano Donizetti’s opera premiered at la Scala, Milan, in 1835, is the exchange between Queen Elizabeth I and Mary, Queen of Scots at a contrived meeting on the purlieu of Fotheringhay Castle, Norfolk. Discount, for a moment,...
Rubinstein’s Le Démon at the Grand Théâtre de Bordeaux
The Grand Théâtre de Bordeaux dominates its surroundings. So it should. It has stood majestically, as the link between the medieval cité and the northern quartiers which blossomed in the 19th century, since 1778. The architect, Victor Luis, gave his provincial...
Berg’s Wozzeck at the Met – sensational, mind-bending, ground-breaking
The production of Alban Berg’s opera, Wozzeck, playing at New York’s Metropolitan Opera, is sensational, mind-bending, ground-breaking. As ground-breaking as Berg’s confrontational atonal style was when it burst into an unsuspecting, post-romantic world in...
Pushkin, Ukraine and the magic squirrel
KIEV, UKRAINE – SEPTEMBER 24, 2016: Independence Square – Maidan Nezalezhnosti in Kiev, Ukraine. My lunch companion pulled two Israeli IWI Jericho 541 handguns from his briefcase and plonked them on the bench. “What do you think? Needed in Donbas, you know”. Bloody...
Why Handel’s Messiah never goes out of fashion
Santa’s right arm drew back, then delivered a powerful haymaker between Rudolph’s antlers. The festive pair, locked in sudden unseasonal animosity, tumbled onto the shiny, sleet-soaked sidewalk of East 33rd Street, close to Manhattan’s Greely Square Park. Moments...